Spring Forward to Rapture!

The weather is absolutely lovely today, and we can't help but hope March will be more lamb than lion. This Sunday, March 9, we turn the clocks forward and though we'll miss that extra hour of sleep, the extra hour of sunshine will make it totally worth it.

This weekend you can also spring forward to ASO's next performance, "Rapture," on Saturday March 8 at 8:00pm and Sunday, March 9 at 3:00pm (Rachel M. Schlesinger Concert Hall, Alexandria). The program is a collaboration with the Alexandria Choral Society and Bowen McCauley Dance and will feature Mendelssohn’s Symphony #4 “Italian,” Fauré’s Pavane, Beethoven’s Elegischer Gesang, Opus 118, Handel’s Zadok the Priest, and Respighi’s Ancient Airs and Dances #1. Ticket prices are $20-$80 with special youth tickets (ages 8-18) offered on Sunday performance for only $5. Tickets can be purchased online at www.alexsym.org or via telephone at 703-548-0885.

Ccurrently a member of the Alexandria Arts Forum, the Alexandria Choral Society will add a mesmerizing voice to the stage with its chorus. The nationally recognized group has performed with Rosemary Clooney and the National Symphony Pops, and its high quality performances and programming have garnered it numerous awards. In 1992, ACS won the first American Society of Composers, Authors and Publishers (ASCAP) award ever presented to a chorus for Adventuresome Programming. Locally, it has twice received the coveted ALEX Award from the Alexandria Chamber of Commerce. Particularly unique to ACS is its commitment to regular performances of American choral music. Most seasons include a program of American works, with ACS premiering a new choral work approximately every two years since 1984.

Lucy Bowen McCauley’s dances will provide a stimulating visual journey that exposes something new about each musical selection. Beginning with the stately, elegant Pavane for orchestra and chorus by Fauré that builds on the court dance tradition inherent in the music, the Company will move to Beethoven’s Elegischer Gesang, Opus 118, a buoyant, intimate work for five dancers, and culminate in a high-octane, celebratory dance for the full seven-member company set to the sounds of Handel’s Zadok the Priest. In addition to her choreography for Rapture, founder Lucy Bowen McCauley has created over forty works since the company began in 1996. In 2003, Lucy Bowen McCauley was awarded the Alumni Path of Inspiration Award from the Interlochen Arts Academy and The Arlington Commission for the Arts STAR Award for Artistic Excellence.

Inside Look: Euphoria

We know it's a little overdue, but Happy New Year! While we had a great break, we're excited to be back in the swing of things with all things blog and ASO.

The final countdown has begun for "Euphoria" being presented in partnership with BosmaDance and Alexandria Performing Arts Asssociation. On Saturday, February 9 at 8pm and Sunday, February 10 at 3pm, indulge in the lushness of interwoven strings and dancers at the Rachel M. Schlesinger Concert Hall and Arts Center (Alexandria).

But what exactly is "Euphoria?" The program is one which traverses both time and place.

The music will take concertgoers full circle from the Renaissance to the Baroque to the Contemporary, which reflects back on these earlier influences. The program begins with one of J.S. Bach’s masterpieces, the Double Violin Concerto, featuring ASO Concertmaster Claudia Chudacoff and 2006 Mary Graham Lasley Scholarship winner, Najin Kim. The concert then progresses into the lighthearted dance of Johann Strauss’ Pizzicato Polka and takes a step back to the Renaissance with Giovanni Gabrieli’s Canzona.

"Euphoria” is rounded out by two contemporary composers, each of whom was invariably influenced by the Baroque. Fantasia concertante on a theme of Corelli by Michael Tippet was written in 1953 for the tercentenary of the birth of Arcangelo Corelli, a Baroque composer. Drawing influence from another master, Villa-Lobos wrote the Bachianas brasilieras #5, Aria to pay homage to Bach and to the music of his native Brazil.

As for the choreography, it will take you around the world as Artistic Director Meisha Bosma was inspired by a recent trip to India to create dances that "delicately thread intimate gestures, sweeping movements and evocative imagery, penetrating the startling extremes of India."

According to BosmaDance:

"'Euphoria' captures the emotions of a stranger in a foreign land. Traveling between India’s densely populated cities to the haunting reality of native village life and refugee camps, Bosma explores how this life-changing journey tested her patience and strengthened her will to cope with life-threatening situations; a severe case of malaria, an uncertain run-in with the Naxalite rebels, emotional days spent with refugees, and the forbidden act of forgetting toilet paper on a long bus ride. “When people ask ‘How was India?’ – I cannot answer with words, instead I tell people to attend the performance of 'Euphoria,' because India is best explained using vibrant color, dance, and music in its most expressive form,” Bosma says.

While working in the studio to create 'Euphoria,' Bosma reaches beyond her all-female company to include the masculine energy of male dancers for the first time. “It is impossible to imagine 'Euphoria' without the inclusion of male dancers because the dynamic among men and women plays a powerful role in defining what India was in the past and what it is today.” 'Euphoria' explores the balance between fantasy and reality, male and female, life and death, chaos and calm and invites the audience to fill in the gaps with their own experiences, emotions and interpretations."

That's it for our inside look at "Euphoria!" We hope to see you in February.

Don't forget our $5 youth tickets (ages 8-18) at our Sunday matinees!

To purchase tickets, please visit http://www.alexsym.org/ or call 703-548-0885.

Musician Spotlight: Richard Parnas

Let’s face it: musicians tend to live pretty cool lives.The recent success of video games like Guitar Hero and Rock Band proves that people love the thrill of creating something to be heard by others (even if it only means hitting four multicolored buttons in a sometimes uncoordinated fashion.).

Richard Parnas, Principal Viola player for the ASO, is no exception. Parnas grew up in Saint Louis, MO eventually moving to Philadelphia to attend the prestigious Curtis Institute of Music. Although he entered on a violin scholarship, the draw of the viola made him switch instruments the first week of school. Indeed, he believes that a “person always knows whether he prefers violin or viola.” After spending four years in the Navy and one season with the Saint Louis Symphony, Parnas began a 35 year career at the National Symphony Orchestra as Principal Violist in 1955. In 1992, he became Principal Violist for the ASO and has held the post for the last 15 years.

Throughout the years, Parnas has seen his share of memorable performances including playing William Walton’s Viola Concerto with the ASO, soloing at Carnegie Hall and performing at the Library of Congress with the Julliard Quartet. Perhaps most incredibly, he was part of the National Symphony’s string quartet that performed 3 concerts a year at the Corcoran Gallery of Art in return for the use of its Stradivari instruments. According to Encyclopedia Smithsonian,

“Antonio Stradivari was born in 1644, and established his shop in Cremona, Italy, where he remained active until his death in 1737. His interpretation of geometry and design for the violin has served as a conceptual model for violin makers for more than 250 years.

Stradivari also made harps, guitars, violas, and cellos--more than 1,100 instruments in all, by current estimate. About 650 of these instruments survive today.”

These concerts continued for 10 years and not surprisingly, Parnas favorite piece he has played was Harold in Italy by Hector Berloiz who composed it specifically for the Stradivari viola.
Parnas has played a spectrum of music under conductors who favored the classics to those that preferred the contemporary. However, in the future, he believes orchestras will have to “mix up the seasons with some modern pieces along with the Beethovens and the Mozarts” in order to be successful. To this end, Parnas is looking forward to playing Fantasia on a theme of Thomas Tallis with the ASO in 2008. Written by modern English composer Ralph Vaughn Williams, the piece features “really nice parts for the violin and viola.”

Thus, Parnas’ musical career, rich with rare experiences, has passed both state lines and time lines. And while you may not see a situation like this play out on the next Guitar Hero, we still think it’s pretty rock and roll.

Post Holiday Concert Update

Thank you to everyone who made our annual Holiday concert a success on Sunday. A special thanks goes out to our Co-Chairs, Angels, Santa's Helpers and businesses that helped make this a night filled with lots of singing and eating! The Orchestra combined with the Trinity United Methodist Choir, Emmanuel Choirs, and Alexandria Choral Society's Children's Choir, truly made these radio favorites come to life in an intimate setting.

Santa even tore himself away from the workshop to make a special appearance! We're flattered that he would come all the way from the North Pole just to see us perform and make the event extra special for all the children.

The tunes spanned from old to new with a standout being "A Charlie Brown Christmas." Though we all know Charlie and his dog, Snoopy, do you need a refresher on Sallie, Marcy, or Franklin? Check out The Official Peanuts Website to relive childhood memories or learn something new.

Can you guess who our favorite character is?

Hint: His favorite composer is Beethoven.

Holiday History

This first snowfall is making us even more excited for our annual Holiday concert this Sunday, Dec. 9 at Trinity United Methodist Church at 3pm. You might not realize it, but some carols have lengthy and interesting histories.

For example, did you know that "Greensleeves" is an old English ballad that can be traced back to at least 1580 and may be about Anne Boleyn? Moreover, this classic has been referenced everywhere from William Shakespeare's The Merry Wives of Windsor to a recent episode of The Office. (Wikipedia)

Or that "Jingle Bells" originally began as a Thanksgiving song? (About.com)

Or that, according to EW.com, the popularized version of "Have Yourself a Merry Little Christmas" is quite different from the original? (this song will not be featured at the ASO concert)

Check out the links below to buy tickets and learn more about some favorite holiday carols!

Links of Interest

Buy Tickets

Greensleeves

Jingle Bells

Have Yourself a Merry Little Christmas